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Guide to Buy Kitchen Design Stores in Digah House Company

Guide to Buy Kitchen Design Stores in Digah House Company

2021-09-06
Digah Company
17

On this page, you can find quality content focused on kitchen design stores. You can also get the latest products and articles that are related to kitchen design stores for free. If you have any questions or want to get more information on kitchen design stores, please feel free to contact us.

kitchen design stores is successfully launched and promoted by Guangzhou House Empire Construction&Furnishing Co.,Ltd. The product has received extremely positive responses for it has brought great convenience to and added comfortability to users' life. The quality of the product's material has met the international standard and has been strictly certified to provide clients with the best possible quality so as to promote further cooperation.Many brands have lost their position in the fierce competition, but Digah Company is still alive in the market, which should give the credit to our loyal and supportive customers and our well-planned market strategy. We clearly know that the most convincing way is to let customers get access to our products and test the quality and performance themselves. Therefore, we have actively participated in the exhibitions and warmly welcome customer's visit. Our business now has coverage in many countries.With strong technical resource, we can customize kitchen design stores and other products based on needs of different customers. The specifications and design styles can all be personalized. At Digah Company, professional and efficient customer service is what we can offer to all people.
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Touchless Mobile Apps for Oil Well Operations at Murphy Oil : Alan Blog
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Murphy Oil Corporation is a leading energy company based in Houston, Texas, operating in the asset-intensive energy industry. The production oil wells need frequent planned and unplanned maintenance activities by their field employees. These operational field activities are essential in keeping the oil wells at targeted production capacity as well as ensure the safety and regulatory compliance of oil wells. Murphy Oil partnered with SAP Partner Incture to build a mobile app to assign and track the completion of these activities. However, they faced the challenge of mobile employees not entering information into their apps in a timely and efficient manner safely. The mobile app had reduced usage and engagement from employees due to the challenging nature of their work: maintaining and repairing machinery with gloves, driving from one oil well to another with a constant focus on safety and compliance. Stopping to use their existing mobile applications interrupted their daily work routine, which caused a decrease in overall technology adoption and data entry. The lack of data entry led to delays in production operations and business decisions.Touchless, Conversational Voice in mobile applications made it easy and safe for employees to enter operations data while on the go. The solution uses Machine Learning and Artificial Intelligence to recognize unique terms and phrases specific to Oil Well operations.Murphy Oil was able to get complete real-time visibility into their production operations and make informed business decisions quickly. After the introduction of the Alan Conversational Voice User Experience, employees adoption, and engagement with their mobile applications increased. The Murphy Oil case study video demonstrates how the Alan Voice Experience seamlessly integrates with the current Visual UI of a Field Service app in a contextual voice conversation that guides the business workflow. For the detailed Murphy Oil and Alan AI case study please review the SAP Innovation Award 2020 entry.Alan AI provides a complete platform for adding Conversational Voice to any mobile employee application. Conversational Voice makes field operations safer, improves operational effectiveness, and helps companies adhere to and exceed compliance standards.Krishna SunkammuraliVP, Growth and AdoptionOriginally published at on January 27, 2020
Things You May Want to Know About Video Scaler
Things You May Want to Know About Video Scaler
An Introduction to video scalerTerry Berkowitz (born Brooklyn, New York) creates installations, videos, photography, audio and objects dealing with social and political critique, social consciousness and the human condition. Beginning in the early seventies, she has shown in museums, biennials and other institutions internationally including PS1 (Long Island City), the Whitney Museum of American Art (NY), First International Biennial of Contemporary Art of Cartegena de Indias (Colombia)The Alternative Museum (NY), Boca Raton Museum of Art, Contemporary Arts Museum (Houston) and Metrnom (Barcelona), Museo do Pobo Galego (Santiago de Compostela)Work of video scalerShe began her professional career with public works in urbanscapes (Chgo and New York) and short films reflecting on sociological issues. Her first installation, 12 Hours of Territorial Intrusion, was created for Lives, an exhibition curated by Jeffrey Deitch at the Fine Arts Building in 1975. This was a photo/audio installation about personal space and the city, reflecting on the urban environment.Working mainly with the installation format over the last few decades, she utilizes whatever media best serves the content of the work blending sculptural elements, audio, slide projections, film projections, photography and/or video. The content of the works includes subjects as varied as rape and its resonances in women's lives, forced expulsions around the world, the lives of the Palestinians under occupation, the reality of life in refugee camps in Western Sahara, the Inquisition, terrorism, identity and other social and political themes. The works often include interviews as a main component. Recently, she has been exploring photographic installation (The Malaya Lola Project, Is This Where My Family Lived?, the ongoing and as yet untitled Western Sahara portrait series) and single-channel videos (Cuarenta, How the Other Half Lives). Berkowitz has also worked in collaboration with several other artists including Pawel Wojtasik (Three Chimneys, a video); Francesc Torres (Parabola da Abundncia/The Tale of Plenty, a project at the Museo do Pobo Galego, 2017); and Karla Sachse, DDR and Varsha Nair, India/Thailand, (Barriers and Beyond, a video).Her research has taken her to places where people are living in dire conditions or have suffered through history including Gaza and the West Bank, the Strait of Gibraltar, the Philippines and the Western Sahara refugee camps near Tindouf, Algeria. In 19967, she became a Fulbright Senior Scholar and spent six months in Spain researching homes of Arabs and Jews who had been expelled five hundred years prior. This has led to an almost 20-year investigation into the subjects of forced expulsion, diaspora and the Inquisition. To date, she has realized several works dealing with this topic including Veil of Memory. Prologue: The Last Supper (Metrnom in Barcelona, 1995; the First Biennial of Cartagena de Indias, Colombia, 2014 and the Boca Raton Museum of Art in Florida, 2015).Since 1996, she has been a Professor of Art at Bernard M. Baruch College of the City University of New York. She became a Fulbright Scholar in 1996.Selected bibliography of video scalerAhlberg, Brian. Review, On Art and the Rosenberg Era, Artpaper, Volume 8, No. 5, Minneapolis, Minn., January, 1989.Bard, Perry, Negotiating Time: DIVA Art Fair, Afterimage, MayJune 2005, Vol. 32, No. 6, p.14-15.Biscarri, I.. Review, "El Sueo Imperative: Arte Radical", El Dia, Zaragoza, Spain, February 3, 1991.Bosco, Roberta. Review, El viaje de la memoria, El Periodico del Arte, Madrid, November 1999, p.20.Boyle, Wickham. Review, The Rosenbergs and the Post-9/11Era, Downtown Express, New York, July 1-7, 2003, p. 26.Buitrago, Roco. Article, Terry Berkowitz: Mis obras son collages de gran tamao y en cuatro dimensiones (My works are large scale collages in three dimensions), El Correo de Andalucia, June 11, 1997, p.50.Cantor, Judy. Review, El Sueo Imperativo, Art News, May, 1991, p.164.Cramer, Sue. Review, Report From Poland, Back to the Future, Art in America, March 1991, pp.6571.Frank, Peter. Review, Village Voice, New York, NY.**, May, 1978.Hess, Elizabeth. Presumed Guilty, review, Village Voice, September 27, 1988, pp.99100.Jun, Mizukami. FAIN, IQ Issue No. 2, Nagoya, Japan, 1977.Levin, Kim, Voice Choice, Village Voice, May 24, 1994, p.71.Martnez Ribas, Ins. Review, La Veu del sefardites de La Dispora, Avui, Barcelona, Spain, October 8, 1999, p.25.Murphy, Jay. Review, Tema Celeste, New York, NY.**, Autumn 1992, p.94.Naval, Francisco X. Review Nonas, Richard. Review, Construction in Process,Tema Celeste, MarchApril 1991, pp.9192.Paoletti, John T. Review, At the Edge Where Art Becomes Media and Message Becomes Polemic: Disinformation at the Alternative Museum, Arts Magazine, May, 1985.Peris, Pedro. Article, Arte e Actitude, O Tempo, So Paulo, Brazil, July 13, 2003.Pincus, Robert L. Review, Images of Beauty, Beastliness, Cleveland Plain Dealer, December 1997, pp.1E, 6E.Princenthal, Nancy. Review, Artist's Book Beat, The Print Collectors Newsletter, Vol. XXII, No. 1, MarchApril, 1992, p.30.Rand, Carol. Review, Future Histories: The Impact of Changing Technology, New Art Examiner, Vol.13, No.7, March 1985, p.55.Rice, Shelley. Review, ArtForum, New York, NY.**, December, 1980.Photographic Installation: An Overview, SF Camerawork, Volume 12, No. 1, San Francisco, Ca., Spring 1985, pp.45.Sargent Wooster, Ann. Review, Manhattan Shortcuts, AfterImage, Volume13, No.1 and 2, Rochester, N.Y., Summer 1985, pp.3536.Salisbury, Stephan. Review, The Rosenberg Case Turned into Art, The Philadelphia Inquirer, March 26, 1989.Serra, Catalina. Review, 20 creadoras se sirven del humor, el drama y el sexo para analizar los arquetipos femeninos, El Pais, Barcelona, Spain, January 23, 1998, p.34.Tishken, Keith. Review, The Terror of Thoughts, Art in Progress, Baltimore, Maryland, Feb. 25, 1992.Vidal, Jaume, Review, El mecenas Rafael Tous ofrece de nuevo Metronom..., El Pas, Barcelona, Spain, October 1, 1999, p.16.Wall, Tim. Review, Messages about the Media, The Guardian, April 3, 1985.Wachunas, Tom. Review, Witnesses to Oppression, Downtown, No. 200, New York, June 20, 1990, pg. 14-A.*
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